Cushman & Wakefield // Realtime Generative Visuals

This project was a part of a new Cushman & Wakefield building space, the purpose was to be visually interesting as well as a talking point for clients. These were abstractly portrayed through variations in the animation and shape of the visuals.

#madewithnotch - The setup was rather simple, using a cloner system as the basis for the system the shape and animation were driven by various fractal noises, which were then exposed when exporting the Notch block for Touchdesigner. 

View the full breakdown here.

Good Thing // 3D Animated Short

A story of a boy with a wild imagination is met face to face with the harsh realities of life.

 

Renderer : Redshift - C4D

Compositing : After effects

Yeezy Boost Campaign // Multimedia

Yeezy multimedia branding package

In Collaboration with :

 

Gabe Crown _ gabecrown.com 

 

Sam Wu _ samdwu.com

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Renderer : Redshift - C4D

Compositing : After effects

Logo Reveals// 3D

Logo Reveals done as practice for animating logos.

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Renderer : Octane - C4D

Compositing : After effects

Philia (Affection) // 3D Animated Short

Affection is found in all forms of life.

 

Renderer : Redshift - C4D

Compositing : After effects

The Gospel of Judas. Title Sequence

Title seuqence based on "The Gospel of Judas". I used motifs and concepts from the book to create the title. I used photogrametry models found online, then bringing them into Cinema 4D and creating the desiered compostitions also being aware of typeholes for the credits. I also used pixel sorting to emphasize the corruption and contraversy that is discussed.

 

Renderer : Redshift - C4D

Compositing : Aftereffects

Final Approach. Title Sequence (Re-Design)

Using the specific measurements from the original title aswell as the original soundtrack. I created along with Nicole Pappas @Nicolepappasdesign the titles. Using 3D models of the exact aircraft along with the pilot suit found in the film. The sequence follows the narrative heard in the soundtrack. This allows the title to seamlessly finish at the start of the film.

 

Renderer : Redshift - C4D

Compositing : Aftereffects

Duck & Cover - P.S.A.

Created a 60 second PSA. Using the all time classic Duck & Cover PSA audio. Using card stock and paper as our main medium. The original idea was to physically burn the set at the end, but due to the lack of saftey equitment we had we decided to comp the fire in.

 

Camera : Canon 7D MII ~ 35-70mm 

Compositing : After effects